"La Traviata, Act I: Brindisi: Libiamo ne' lieti calici" by Renata Scotto, Riccardo Muti, Alfredo Kraus, John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra was released on 2004. The duration of La Traviata, Act I: Brindisi: Libiamo ne' lieti calici is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. La Traviata, Act I: Brindisi: Libiamo ne' lieti calici's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "La Traviata, Act I: Brindisi: Libiamo ne' lieti calici" is a single. La Traviata, Act I: Brindisi: Libiamo ne' lieti calici is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Traviata, Act I: Brindisi: Libiamo ne' lieti calici by Renata Scotto, Riccardo Muti, Alfredo Kraus, John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
La Bohème - Opera in four acts (1991 Digital Remaster), Act I: Non sono in vena. Chi è là! (Rodolfo/Mimi) | Giacomo Puccini, Renata Scotto, James Levine, National Philharmonic Orchestra | E Minor | 0 | 9A | 87 BPM | ||
La Bohème / Act 2: "Quando m'en vo" - Live | Giacomo Puccini, Nicole Cabell, Anna Netrebko, Rolando Villazón, Boaz Daniel, Stéphane Degout, Tiziano Bracci, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | A Major | 2 | 11B | 171 BPM |
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