"Pièces d'orgue, Op. 2, Suite II: VI. Voix humaine" by Lambert Chaumont, Hubert Schoonbroodt was released on July 6, 2018. With Pièces d'orgue, Op. 2, Suite II: VI. Voix humaine being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 106 in Chaumont: Suites du livre d'orgue by Lambert Chaumont, Hubert Schoonbroodt. In terms of popularity, Pièces d'orgue, Op. 2, Suite II: VI. Voix humaine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièces d'orgue, Op. 2, Suite II: VI. Voix humaine by Lambert Chaumont, Hubert Schoonbroodt is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte in F Major | Giovanni Battista Martini, Janos Sebestyen | F Major | 0 | 7B | 114 BPM | ||
Aria de la suite, BWV 1068 (Transcription by Olivier Penin) | Johann Sebastian Bach, Olivier Penin | E Minor | 1 | 9A | 73 BPM | ||
Concerto in A Major, Op.7, No.2: I. Improvised Voluntary | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A♭ Major | 0 | 4B | 67 BPM | ||
Messe du premier ton: Second Kyrie (orgue J-F. Lépine de la Cathédrale Saint-Sacerdos de Sarlat) | André Raison, Serge Schoonbroodt | A♭ Minor | 1 | 1A | 168 BPM | ||
Méditation après les lectures: Suite pour clavecin No. 11 en Ré Mineur, HWV 437: Sarabande | Jacques Amade | D Minor | 0 | 7A | 56 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Hortus Musicus "Sonata Prima" in A Minor: Gigue | Johann Adam Reincken, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 2 | 8A | 116 BPM | ||
Pièces d'orgue, Op. 2, Suite II: XII. Chaconne grave | Lambert Chaumont, Hubert Schoonbroodt | G Minor | 1 | 6A | 131 BPM | ||
Morning Song | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Mother Goose (Suite), M. 60: I. Pavane of the Sleeping Beauty | Adelaide Symphony Orchestra, Ron Spigelman | A Minor | 0 | 8A | 138 BPM |
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