Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members Of The London Symphony Orchestra, Members Of The New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein's 'Symphony No. 9 in D Minor, Op. 125 - "Choral": II. Molto vivace - Live at Schauspielhaus, Berlin / 1989' came out on October 9, 2021. Symphony No. 9 in D Minor, Op. 125 - "Choral": II. Molto vivace - Live at Schauspielhaus, Berlin / 1989 appears to be safe for all ages as it is not explicit. The song is number 282 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No. 9 in D Minor, Op. 125 - "Choral": II. Molto vivace - Live at Schauspielhaus, Berlin / 1989 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 9 in D Minor, Op. 125 - "Choral": II. Molto vivace - Live at Schauspielhaus, Berlin / 1989 by Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members Of The London Symphony Orchestra, Members Of The New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 6 (Arr. Piano) | Music Lab Collective, Ludwig van Beethoven | F Major | 0 | 7B | 101 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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