Ethel Merman, Joan Carroll, Harry Sosnik & His Orchestra made "Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording" available on January 1, 1992. The duration of Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording is about 3 minutes long, at 3:17. Based on our data, "Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 12 Songs From Call Me Madam (With Selections From "Panama Hattie"), so we believe that "Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording" is a single. Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Let's Be Buddies (Panama Hattie) - Decca Broadway Reissue Recording by Ethel Merman, Joan Carroll, Harry Sosnik & His Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All That Jazz (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | E Major | 5 | 12B | 127 BPM | ||
Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
Ain't Misbehavin' / Lookin' Good But Feelin' Bad / 'Tain't Nobody's Biz-ness If I Do | André DeShields, Nell Carter, Ain't Misbehavin' Ensemble, Armelia McQueen, Ken Page, Charlaine Woodard | G Minor | 2 | 6A | 128 BPM | ||
Applause | Charles Strouse, Bonnie Franklin | C Major | 5 | 8B | 131 BPM | ||
Another Op'nin', Another Show | Broadway Cast Recording | D♭ Major | 2 | 3B | 75 BPM | ||
Beautiful Beulah | Hayley Mills, Eddie Hodges | A♭ Major | 3 | 4B | 103 BPM | ||
Kids (from "Bye Bye Birdie") | Dick Van Dyke, Bryan Russell, Paul Lynde, Maureen Stapleton | C Major | 4 | 8B | 112 BPM | ||
Lullaby of Broadway | Jerry Orbach, 42nd Street Ensemble | C Major | 3 | 8B | 81 BPM | ||
Sit Down, You're Rockin' The Boat (from "Guys & Dolls") | Stubby Kaye | F Major | 3 | 7B | 129 BPM | ||
I Enjoy Being A Girl | Rodgers & Hammerstein | D♭ Major | 2 | 3B | 208 BPM |
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