"Somewhere over the Rainbow, Caglia a Pass - Live at Konzerthaus, Vienna, 1/22/1996" by Harold Arien, Paul O'Dette was released on May 28, 2021. The duration of Somewhere over the Rainbow, Caglia a Pass - Live at Konzerthaus, Vienna, 1/22/1996 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Somewhere over the Rainbow, Caglia a Pass - Live at Konzerthaus, Vienna, 1/22/1996's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Germany. The popularity of Somewhere over the Rainbow, Caglia a Pass - Live at Konzerthaus, Vienna, 1/22/1996 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Somewhere over the Rainbow, Caglia a Pass - Live at Konzerthaus, Vienna, 1/22/1996 by Harold Arien, Paul O'Dette having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Armide, LWV 71, Act II Scene 4: Second Air (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
La cavaliere: Courante | Francesca Torelli, Charles Mouton | D♭ Minor | 0 | 12A | 79 BPM | ||
Suite for 2 Lutes in Bb (Baron) - Bouree | Edward Martin and Paul Berget | A Major | 2 | 11B | 76 BPM | ||
Gagliarda Ecco | Vincenzo Galilei, Massimo Lonardi | F Major | 2 | 7B | 107 BPM | ||
Voltate in Ça Rosina (Arr. for Wind Ensemble and Percussion by Ian Harrison) | Giovanni Ambrosio, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM |
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