Willy Engel-Berger, Hermann Leopoldi made "Du hast so blaue Augen (Wie die blaue Adria)" available on January 18, 2019. The duration of Du hast so blaue Augen (Wie die blaue Adria) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Du hast so blaue Augen (Wie die blaue Adria)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schellack Schätze: Treasures on 78 RPM from Berlin, Europe and the World, Vol. 18 (Remastered 2019)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, Du hast so blaue Augen (Wie die blaue Adria)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Du hast so blaue Augen (Wie die blaue Adria) by Willy Engel-Berger, Hermann Leopoldi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frau Luna: Glühwürmchen-Idyll | Paul Lincke, Franz Fehringer, Willy Hofmann, Willy Schneider, Herta Talmar, Brigitte Mira, Peter-René Körner, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 3 | 5B | 114 BPM | ||
På ett litet moln i sjunde himlen | Sylvan Beré | B♭ Major | 4 | 6B | 174 BPM | ||
By the Fireside | Ray Noble, The Ray Noble Orchestra, Al Bowlly | D♭ Minor | 4 | 12A | 120 BPM | ||
Wir Machen Musik | Ilse Werner | B♭ Major | 4 | 6B | 126 BPM | ||
Hino Senhor Tu És Minha Porção | Doglinha Vieira | B♭ Major | 2 | 6B | 151 BPM | ||
La Cage Aux Folles: Männliche Lektion | Ensemble "Theater Des Westens", Orchester Theater des Westens, Chor Theater des Westens | A♭ Minor | 5 | 1A | 124 BPM | ||
Ich kam aus Alabama | Hans Albers | A Major | 2 | 11B | 133 BPM | ||
Die Wanderniere | Georg Kreisler | B♭ Major | 7 | 6B | 128 BPM | ||
Frau Luna: Bis früh um fünfe | Paul Lincke, Willy Schneider, Herta Talmar, Franz Fehringer, Peter-René Körner, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 5 | 10B | 127 BPM | ||
Levi's Monkey Mike | Alf Rick, Jack Cottrell, George Formby | A Major | 4 | 11B | 132 BPM |
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