"Concert Nocturne - (Original Motion Picture Soundtrack)" by Marc-Olivier Dupin was released on June 30, 2021. The duration of Concert Nocturne - (Original Motion Picture Soundtrack) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Concert Nocturne - (Original Motion Picture Soundtrack)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marc-Olivier Dupin's "Le Monde de Proust - Original Score by Marc-Olivier Dupin (Original Motion Picture Soundtrack)" album is number 11 out of 12. Concert Nocturne - (Original Motion Picture Soundtrack) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert Nocturne - (Original Motion Picture Soundtrack) by Marc-Olivier Dupin to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] | Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | B Minor | 1 | 10A | 71 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Elements String Quintet | Moses Sedler, Evan Kahn, Theo Espy, Emily Liu, Sam Weiser, Jung-Hsuan Ko | A Minor | 3 | 8A | 100 BPM | ||
Gymnasium | Savelu | G Minor | 0 | 6A | 110 BPM | ||
Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
3 Songs, Op. 7: No. 1, Après un rêve (Arr. for Viola & Piano) | Gabriel Fauré, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
Chanson de nuit et chanson de matin, Op. 15: No. 2, Chanson de matin (Arr. for Cello and Orchestra by Robin Melchior) | Edward Elgar, Olivia Gay, Orchestre national de Cannes, Benjamin Lévy | B♭ Major | 1 | 6B | 125 BPM | ||
Phantasiestücke, Op. 88: No. 3, Duett (Arr. for Horn by Martin Owen) | Robert Schumann, Martin Owen, Francesca Dego, Alessandro Taverna | D Major | 0 | 10B | 95 BPM |
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