- BPM
- 71
- Key
- G Major
- Camelot
- 9B
Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live - Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Westminster Symphonic Choir, Temple University Concert Choir Information
- Acousticness
- 95%
- Danceability
- 20%
- Energy
- 0%
- Instrumentalness
- 34%
- Liveness
- 9%
- Loudness
- 24%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -45.531 dB
Summary
"Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live" by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Westminster Symphonic Choir, Temple University Concert Choir was released on March 16, 2018. With Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live BPM
The tempo marking of Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Westminster Symphonic Choir, Temple University Concert Choir is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peter and the Wolf, Op. 67: Andantino, come prima - Andante | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | |
 | A White House Cantata / Part 1: The President Jefferson Sunday Luncheon March | Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | F Major | 4 | 7B | 93 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | |
 | The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | |
| Peter and the Wolf, Op. 67: Andantino | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | |
 | Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | |
 | Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | |
 | Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6707658767700195
End: 0.6744036674499512