Silvius Leopold Weiss, Lutz Kirchhof's 'Fantasia in C Major' came out on 1992. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #3 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Fantasia in C Major's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Fantasia in C Major by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fantasia in C Major being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diferéncias Sobre Guárdame Las Vacas | Luis de Narváez, Los Angeles Guitar Quartet | G Major | 1 | 9B | 179 BPM | ||
Prelude a la maniere de Carillon | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM | ||
Sonata in C Major (Weiss) - Tempo de Minuetto | Edward Martin and Paul Berget | B Major | 2 | 1B | 132 BPM | ||
Fantasia No. 33 | Francesco da Milano, Jakob Lindberg | G Minor | 1 | 6A | 103 BPM | ||
Suite in G Major: III. Sarabanda | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | D♭ Major | 0 | 3B | 93 BPM | ||
Improvisation I on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 1 | 12A | 95 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Preludio Secondo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 0 | 2B | 93 BPM | ||
Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM |
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