John Harle, Sarah Leonard, Paul Clarvis, Silencium Ensemble, Academy of St. Martin in the Fields's 'Silencium - Music of Inner Peace: 6. Astrea' came out on October 20, 1997. With this song being about 5 minutes long, at 4:39, "Silencium - Music of Inner Peace: 6. Astrea" by John Harle, Sarah Leonard, Paul Clarvis, Silencium Ensemble, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Harle, Silencium Ensemble's "Harle: Silencium - Music Of Inner Peace" album is number 6 out of 12. In terms of popularity, Silencium - Music of Inner Peace: 6. Astrea is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Silencium - Music of Inner Peace: 6. Astrea by John Harle, Sarah Leonard, Paul Clarvis, Silencium Ensemble, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Byrd on a Bryre | Anonymous, John Harle, Lucie Skeaping, Roddy Skeaping | G Major | 2 | 9B | 136 BPM | ||
Wild Swans - Concert Suite: 2. Eliza Aria | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | F Major | 1 | 7B | 143 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | Dâ™ Major | 0 | 3B | 71 BPM | ||
A Wild And Distant Shore | Michael Nyman | A Minor | 2 | 8A | 95 BPM | ||
The Stereo Lounge | John Harle, The Dreamland Orchestra | C Minor | 5 | 5A | 172 BPM | ||
Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
Violin Concerto, 2nd mvt. (Arr. Gelgotas) | Philip Glass, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Minor | 2 | 5A | 86 BPM |
Section: 0.7701356410980225
End: 0.7757258415222168