"Radio Interview Excerpt 2: Mike Wallace and Jerry Ross (Bonus Track)" by Spoken Word, Mike Wallace, Jerry Ross was released on 1954. With Radio Interview Excerpt 2: Mike Wallace and Jerry Ross (Bonus Track) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "The Pajama Game (Original Broadway Cast Recording)". In this album, this song's track order is #19. Radio Interview Excerpt 2: Mike Wallace and Jerry Ross (Bonus Track) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Radio Interview Excerpt 2: Mike Wallace and Jerry Ross (Bonus Track) by Spoken Word, Mike Wallace, Jerry Ross having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
3 Dance Episodes from "On the Town": III. Times Square | Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 96 BPM | ||
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | C Major | 0 | 8B | 171 BPM | ||
Variations on a Theme by Haydn: Variation VIII: Andante cantabile | Hans Erich Apostel, The Orchestra Now, Leon Botstein | B♭ Minor | 1 | 3A | 80 BPM | ||
Gershwin: Porgy and Bess, Act 1 Scene 1: Introduction - Jasbo Brown Blues | George Gershwin, Wayne Marshall, Glyndebourne Chorus, Sir Simon Rattle, London Philharmonic Orchestra | G Major | 1 | 9B | 133 BPM | ||
classical type beat | Silio Dussud, Walis | E Minor | 0 | 9A | 114 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
What's Opera, Doc? | George Daugherty, Sydney Symphony Orchestra | A Major | 4 | 11B | 94 BPM | ||
Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM |
Section: 0.7169606685638428
End: 0.7292261123657227