"Leclair: Scylla et Glaucus, Op. 11, Act 2: "Il me fuit hélas" (Circé, Chœur)" by Jean-Marie Leclair, John Eliot Gardiner, The Monteverdi Choir, Rachel Yakar, English Baroque Soloists was released on February 24, 2023. The duration of Leclair: Scylla et Glaucus, Op. 11, Act 2: "Il me fuit hélas" (Circé, Chœur) is about 3 minutes long, at 3:28. Based on our data, "Leclair: Scylla et Glaucus, Op. 11, Act 2: "Il me fuit hélas" (Circé, Chœur)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 51 out of 98. On top of that, France appears to be the country where this track was created. In terms of popularity, Leclair: Scylla et Glaucus, Op. 11, Act 2: "Il me fuit hélas" (Circé, Chœur) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Act 2: "Il me fuit hélas" (Circé, Chœur) by Jean-Marie Leclair, John Eliot Gardiner, The Monteverdi Choir, Rachel Yakar, English Baroque Soloists to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": III. Largo andante | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 120 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Concerto for Violin and Strings in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90 | A Minor | 2 | 8A | 123 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: II. Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 80 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |
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