"Hornisse, Suite für Orchester, Op. 97a: VII. Introduktion" by Dmitri Shostakovich, Jugendorchester der Allgemeinen Musikschule des Konservatoriums Zürich, Howard Griffith was released on 1993. Since Hornisse, Suite für Orchester, Op. 97a: VII. Introduktion is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Martin Sigrist, Hansjörg Siniker, Hermann Ostendarp's "Jecklin Musiktreffen 1993" album is number 17 out of 18. Hornisse, Suite für Orchester, Op. 97a: VII. Introduktion is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hornisse, Suite für Orchester, Op. 97a: VII. Introduktion by Dmitri Shostakovich, Jugendorchester der Allgemeinen Musikschule des Konservatoriums Zürich, Howard Griffith to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Cello Concerto No.1 in E Flat Major, Op.107: 4. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM |
Section: 0.652961254119873
End: 0.6578311920166016