Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki's 'Symphony in C Major, H. 649, Wq. 174: I. Allegro assai' had a release date set for March 22, 2024. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 21 in C.P.E. Bach: Symphonies - From Berlin to Hamburg by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Symphony in C Major, H. 649, Wq. 174: I. Allegro assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in C Major, H. 649, Wq. 174: I. Allegro assai by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Adagio | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Goodbye | Ben Flos | B Minor | 2 | 10A | 75 BPM | ||
Quartetto "Gli amanti rivali" in C Major: V. La disperazione delle donne amanti. Allegro | Carlo Monza, Europa Galante, Fabio Biondi, Andrea Rognoni, Stefano Marcocchi, Alessandro Andriani | D Major | 0 | 10B | 119 BPM | ||
Concerto for Harpsichord and Fortepiano in E-Flat Major, H. 479: III. Presto | Carl Philipp Emanuel Bach, Café Zimmermann, Pablo Valetti, Céline Frisch, Alexander Melnikov | G Major | 0 | 9B | 115 BPM | ||
Bach, CPE: Symphonies, Wq. 183: No. 3 in F Major: I. Allegro di molto | Carl Philipp Emanuel Bach, Ton Koopman, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 135 BPM | ||
Concerto Grosso in C Minor, Op. 6 No. 8, HWV 326: IV. Adagio | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Minor | 1 | 11A | 93 BPM | ||
Divertimento for Flute, Violin & Cello in G Major, Hob. IV:9: I. Adagio | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | D♭ Major | 1 | 3B | 128 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: IV. Vivement | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 3 | 2B | 77 BPM | ||
Trio in E Major, Op. 5, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 0 | 12B | 157 BPM |