Amor Artis Chorale's 'Requiem, K. 626: XI. Benedictus' came out on April 27, 2004. With this song being about 5 minutes long, at 5:22, "Requiem, K. 626: XI. Benedictus" by Amor Artis Chorale is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 11 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Requiem, K. 626: XI. Benedictus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: XI. Benedictus by Amor Artis Chorale to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XI. Sequentia: Recordare - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 73 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Cadmus, Chorus Of Priests & Augurs. Recitative: Cadmus, Chorus "see, See" | George Frideric Handel, Amor Artis Chorale, English Chamber Orchestra | G Major | 3 | 9B | 99 BPM | ||
Fajer: Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia) | Francisco Javier García Fajer, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D Major | 1 | 10B | 124 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IV. Loure. Der verliebte Neptunus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The Lord shall reign for ever and ever I (Chorus) - Recitative: For the horse of Pharaoh went in (Tenor) - The Lord shall reign for ever and ever II (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Cum sanctis tuis | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM |
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