"Deuxieme Suite Op.27: Allegretto con moto" by Léon Boëllmann, David M Patrick was released on September 9, 1991. The duration of Deuxieme Suite Op.27: Allegretto con moto is about 3 minutes long, at 3:09. Based on our data, "Deuxieme Suite Op.27: Allegretto con moto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David M Patrick's "Great European Organs No.28: Blackburn Cathedral" album is number 10 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Deuxieme Suite Op.27: Allegretto con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deuxieme Suite Op.27: Allegretto con moto by Léon Boëllmann, David M Patrick to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase (Arr. For organ) | Edvard Grieg, Martin Schmeding | G Major | 3 | 9B | 116 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Suite Gothique, Op. 25: IV. Toccata | Léon Boëllmann, Konstantin Volostnov | C Major | 2 | 8B | 74 BPM | ||
Requiem In D Minor, K.626: 5. Sanctus | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 69 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Messe en mi mineur: Messe en mi mineur: Kyrie. Feierlich | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | E Minor | 0 | 9A | 74 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
Mass No. 3: IV. Sortie | Pierre Cochereau | A Major | 4 | 11B | 85 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Il Pomo D'oro, Maxim Emelyanychev | C Major | 1 | 8B | 163 BPM |
Section: 1.0230169296264648
End: 1.0267622470855713