Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice's 'The Sleeping Beauty, Op. 66 : (E) Coda' came out on July 31, 1992. The duration of The Sleeping Beauty, Op. 66 : (E) Coda is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : (E) Coda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #21. The Sleeping Beauty, Op. 66 : (E) Coda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : (E) Coda by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act II: Amour | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 114 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | ||
Violin Concerto in D Major, Op. 61 (Cadenzas by Vasa Prihoda): III. Rondo (Allegro) | Ludwig van Beethoven, Alexander von Pitamic, Southgerman Philharmonic Orchestra, Ivan Czerkov | D Major | 1 | 10B | 82 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 137 BPM | ||
The Sleeping Beauty, Op. 66 : Finale | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E♭ Major | 4 | 5B | 134 BPM | ||
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
Coppelia: Act III - L'Hymen (Noce villageoise) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 100 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM |
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