"Preces & Responses: I. Preces" by Humphrey Clucas, St Edmundsbury Cathedral Choir, Mervyn Cousins was released on September 17, 1994. With Preces & Responses: I. Preces being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 18 in Choral Evensong for the Feast of Edmund, King & Martyr by St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Preces & Responses: I. Preces is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preces & Responses: I. Preces by Humphrey Clucas, St Edmundsbury Cathedral Choir, Mervyn Cousins is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 119 "Thy Hands Have Made Me" | George Mursell Garrett, Edward Hopkins, J. Lemon, Arthur H. Mann, Durham Cathedral Choir, Ian Shaw, James Lancelot | A♭ Major | 1 | 4B | 74 BPM | ||
St. Albinus "Jesus Lives! Thy Terrors Now" | Henry John Gauntlett, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | C Major | 1 | 8B | 129 BPM | ||
3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied | Max Reger, Bundesjugendchor, Anne Kohler | E Major | 1 | 12B | 139 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
When morning gilds the skies | Joseph Barnby, Wells Cathedral Choir, Malcolm Archer & Rupert Gough, Wells Cathedral School Brass Ensemble | C Major | 1 | 8B | 110 BPM | ||
Spring: Pange Lingua – Renewal | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | E Major | 0 | 12B | 89 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
Bow Brickhill "We Sing the Praise of Him Who Died" | Sir Sydney Hugo Nicholson, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | C Major | 1 | 8B | 79 BPM | ||
Now, On Land and Sea Descending | Oasis Chorale | D Major | 2 | 10B | 93 BPM | ||
Immortal, Invisible | St. Michael's Singers | A♭ Major | 3 | 4B | 81 BPM |
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