Nasty Girl - Peter Rauhofer Reconstruction Mix
Inaya Day, Peter Rauhofer
Nasty Girl, Pt. 2
9:48 April 1, 2005
BPM
128
Key
B♭ Minor
Camelot
3A

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Nasty Girl - Peter Rauhofer Reconstruction Mix - Inaya Day, Peter Rauhofer Information

Acousticness
0%
Danceability
80%
Energy
90%
Instrumentalness
73%
Liveness
6%
Loudness
85%
Speechiness
6%
Valence
86%
Popularity
Loudness
-9.175 dB

Summary

On April 1, 2005, the song "Nasty Girl - Peter Rauhofer Reconstruction Mix" was released by Inaya Day, Peter Rauhofer. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Nasty Girl, Pt. 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Nasty Girl - Peter Rauhofer Reconstruction Mix's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Nasty Girl - Peter Rauhofer Reconstruction Mix BPM

With Nasty Girl - Peter Rauhofer Reconstruction Mix by Inaya Day, Peter Rauhofer having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Nasty Girl - Peter Rauhofer Reconstruction Mix Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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ISRC
DEP080100138
Label
L-M Records/RCA Records