Camargo Guarnieri, Simon Ghraichy made "Ponteios: Ponteio No. 49 - Homenagem a Scriabin" available on February 17, 2017. With Ponteios: Ponteio No. 49 - Homenagem a Scriabin being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Simon Ghraichy's "Heritages" album is number 16 out of 17. Based on our statistics, Ponteios: Ponteio No. 49 - Homenagem a Scriabin's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ponteios: Ponteio No. 49 - Homenagem a Scriabin by Camargo Guarnieri, Simon Ghraichy to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Couperin: Second livre de pièces de clavecin, Sixième ordre: Les baricades mistérieuses (Recorded 1954) | François Couperin, Marcelle Meyer | B♭ Major | 1 | 6B | 125 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Oblivion (Arr. H. Abel for oboe and chamber ensemble) | Astor Piazzolla, Claremont Duo | C Minor | 0 | 5A | 88 BPM | ||
A. Scotto: Riflessi trasfigurati | Aurelio Scotto | D Major | 0 | 10B | 134 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
Rapsódia Sertaneja | Luciano Gallet, Cristian Budu | G Major | 3 | 9B | 107 BPM | ||
Concert Etude After Bach | ARSHA KAVIANI | C Major | 1 | 8B | 131 BPM | ||
Glosas sobre el Mariam Matrem | Jesús Legido, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM |
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