"Vespers for a New Dark Age: VIII. Postlude" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. With this song being about 5 minutes long, at 4:34, "Vespers for a New Dark Age: VIII. Postlude" by Missy Mazzoli, Victoire, Glenn Kotche is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. The popularity of Vespers for a New Dark Age: VIII. Postlude is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: VIII. Postlude by Missy Mazzoli, Victoire, Glenn Kotche to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 2 | Max Richter | D Minor | 4 | 7A | 133 BPM | ||
Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 92 BPM | ||
Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 121 BPM | ||
The Evergreen: I. Moss | Caroline Shaw, Attacca Quartet | C Major | 2 | 8B | 66 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
DANCE: IV. in your blood | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | C Major | 3 | 8B | 68 BPM | ||
And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM | ||
Them's Lasers | William Brittelle, Andrea La Rose, Ed Rosenberg, Jean Cook, James Moore, Bradley Kemp, Pat Muchmore, Missy Mazzoli | G Major | 3 | 9B | 76 BPM | ||
Love Token | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 3 | 8B | 112 BPM | ||
Song from the Uproar: This world within me Is too small | Missy Mazzoli, Abby Fischer, Celine Mogielnicki, Amelia Watkins, Kate Maroney, Tomas Cruz, Peter Stewart, Now Ensemble, Steven Osgood | E Major | 3 | 12B | 96 BPM |
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