Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande - Johann Sebastian Bach, Jeffrey McFadden Information

Acousticness: 93%
Danceability: 34%
Energy: 36%
Instrumentalness: 92%
Liveness: 12%
Loudness: 81%
Speechiness: 8%
Valence: 7%
Popularity: 11%
Loudness: -11.352 dB

Summary

"Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande" by Johann Sebastian Bach, Jeffrey McFadden was released on October 23, 2020. The duration of Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande is about 3 minutes long, at 3:24. Based on our data, "Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Jeffrey McFadden's "J.S. Bach: Cello Suites, Vol. 2 (Arr. J. McFadden for Guitar)" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande BPM

We consider the tempo marking of Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande by Johann Sebastian Bach, Jeffrey McFadden to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar): IV. Sarabande Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture in D Minor, TWV 55:2: Menuet II. Doucement	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	F Major	0	7B	126 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre	François Couperin, Iddo Bar-Shaï	C Major	3	8B	145 BPM
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XVI. Alla breve	Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni	E Minor	1	9A	106 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Consolation No. 3 in D-Flat Major, S. 172	Franz Liszt, Lang Lang	D♭ Major	0	3B	74 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio	George Frideric Handel, Philip Edward Fisher	D Minor	0	7A	72 BPM
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei	Robert Schumann, Ivan Moravec	F Major	0	7B	130 BPM
Trio In G Minor, BWV 929	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM

ISRC: HKI191955504
Label: L-M Records/RCA Records

Section: 0.6733250617980957

End: 0.6780059337615967