Christoph Willibald Gluck, Insula Orchestra, Laurence Equilbey's 'Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2: Ballo. Andante (Danza degli spiriti beati) - Live' came out on September 11, 2015. The duration of Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2: Ballo. Andante (Danza degli spiriti beati) - Live is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2: Ballo. Andante (Danza degli spiriti beati) - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus, Insula Orchestra, Laurence Equilbey's "Gluck: Orfeo ed Euridice (Live)" album is number 19 out of 36. On top of that, Germany appears to be the country where this track was created. The popularity of Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2: Ballo. Andante (Danza degli spiriti beati) - Live is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act II / Scene 2: Ballo. Andante (Danza degli spiriti beati) - Live by Christoph Willibald Gluck, Insula Orchestra, Laurence Equilbey to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Sonatina No. 1 in C Major, Op. 36: 1. Spiritoso | Muzio Clementi, Lang Lang | C Major | 3 | 8B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. Rot for Violin and Orchestra) | Christoph Willibald Gluck, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Minor | 0 | 7A | 135 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM |
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