"Walzer No. 1 for Piano in E-Flat Major, Op. 18" by Peter Schmalfuss was released on January 1, 2000. With this song being about 5 minutes long, at 5:13, "Walzer No. 1 for Piano in E-Flat Major, Op. 18" by Peter Schmalfuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Reflexionen (Vol. 1)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Walzer No. 1 for Piano in E-Flat Major, Op. 18 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Walzer No. 1 for Piano in E-Flat Major, Op. 18 by Peter Schmalfuss having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza Española para violon y piano, Op. 23: No. 1, Playera | Aaron Rosand, Peter Schmalfuss | E♭ Major | 3 | 5B | 72 BPM | ||
Nocturne in D-Flat Major, L. 82 | Peter Schmalfuss | D♭ Major | 0 | 3B | 71 BPM | ||
Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra, Yekaterina Sarantseva | C Minor | 1 | 5A | 75 BPM | ||
Toccata and Fugue in D minor, BWV 565 - Arr. for piano by F. Busoni (1886-1924): Toccata and Fugue | Johann Sebastian Bach, Gianluca Cascioli | D Minor | 2 | 7A | 78 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Lieder Ohne Worte No. 6 in G Minor, Op. 19: Andante Sostenuto "Venetianisches Gondellied" | Felix Mendelssohn, Kyoko Tabe | G Major | 7 | 9B | 99 BPM | ||
Concerto In F Minor: Largo | Johann Sebastian Bach, Karen Englund & Societas Musica Chamber Orchestra | A♭ Major | 0 | 4B | 94 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6, June (Barcarolle) | Pyotr Ilyich Tchaikovsky, Vassily Primakov | E Major | 0 | 12B | 89 BPM | ||
3 Gymnopedies (orch. Debussy): Gymnopedie No. 2 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 67 BPM | ||
2 Arabesques: Arabesque No. 1 | Claude Debussy, Klara Kormendi | F♯ Minor | 1 | 11A | 84 BPM |
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