"Tristan und Isolde / Act 2: "Tatest du's wirklich?"" by Richard Wagner, René Kollo, Kurt Moll, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Tristan und Isolde / Act 2: "Tatest du's wirklich?" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #10 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 2: "Tatest du's wirklich?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 2: "Tatest du's wirklich?" by Richard Wagner, René Kollo, Kurt Moll, Staatskapelle Dresden, Carlos Kleiber has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 2: "Tatest du's wirklich?" being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 3: Nr.16 Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, René Kollo, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 81 BPM | ||
Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live | Gustav Mahler, Christa Ludwig, New York Philharmonic, Leonard Bernstein | D♭ Major | 0 | 3B | 139 BPM | ||
Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
Der Freischütz, J. 277 / Act II: "Wie? Was? Entsetzen!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 83 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic Orchestra, Sir Charles Mackerras | B♭ Major | 6 | 6B | 100 BPM | ||
Die Fledermaus / Act 3: Nr.13 Melodram: "So, da wär'n wir ja zu Hause" | Johann Strauss II, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | C Major | 0 | 8B | 95 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Infirma nostri corporis" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 91 BPM | ||
Salome, Op. 54 / Scene 4: "Salome, komm, trink Wein mit mir" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 9 | 11A | 85 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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