"Gombert: Magnificat 6, Sexti Et Primi Toni - 3. Et Misericordia" by Nicolas Gombert, Peter Phillips, The Tallis Scholars was released on August 28, 2015. With Gombert: Magnificat 6, Sexti Et Primi Toni - 3. Et Misericordia being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #22. In terms of popularity, Gombert: Magnificat 6, Sexti Et Primi Toni - 3. Et Misericordia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gombert: Magnificat 6, Sexti Et Primi Toni - 3. Et Misericordia by Nicolas Gombert, Peter Phillips, The Tallis Scholars having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheppard: Media Vita - 4. Sancte Et Misericors Salvator 1 | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 136 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Altera, Christopher Lowrey | C Minor | 0 | 5A | 70 BPM | ||
To Thee, O Victorious Leader | Sergei Rachmaninoff, Tenebrae, Nigel Short | C Major | 2 | 8B | 84 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
In manus tuas | John Sheppard, The Cambridge Singers, John Rutter | D♭ Major | 0 | 3B | 172 BPM |
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