On January 1, 1999, the song "12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro" was released by Tomaso Albinoni, I Musici, Pina Carmirelli. The duration of 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 64 in Albinoni: Complete Concertos Op.5 & Op.7 by Tomaso Albinoni, I Musici, Pina Carmirelli, Berlin Chamber Orchestra, Vittorio Negri. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro by Tomaso Albinoni, I Musici, Pina Carmirelli is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto for two oboes Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | A♭ Minor | 1 | 1A | 139 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Berlin Chamber Orchestra, Hans-Werner Watzig, Vittorio Negri, Jeffrey Tate | D Major | 2 | 10B | 111 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM |
Section: 0.7021865844726562
End: 0.7075421810150146