Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür made "Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai" available on January 4, 1995. The duration of Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Bach, J.C.: Sinfonias, Vol. 1 by Johann Christian Bach. In terms of popularity, Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Symphony in F Major, Op. 3, No. 5, W. C5: III. Allegro Assai by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
Punto: Horn Concerto No. 5 in F Major: II. Adagio | Giovanni Punto, Barry Tuckwell | F Minor | 0 | 4A | 83 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
The Carnival of Animals: X. The Aviary | Camille Saint-Saëns, Hanspeter Gmür, Southgerman Philharmonic Orchestra | C Major | 4 | 8B | 99 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Burkhard Glaetzner, Christine Schornsheim, New Bach Collegium Musicum Leipzig, Max Pommer | D Minor | 1 | 7A | 139 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM |
Section: 0.6782166957855225
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