"Cornfield Chase (From "Interstellar") - Midnight Sessions at the Royal Albert Hall" by Anna Lapwood was released on April 21, 2023. The duration of Cornfield Chase (From "Interstellar") - Midnight Sessions at the Royal Albert Hall is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Cornfield Chase (From "Interstellar") - Midnight Sessions at the Royal Albert Hall's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anna Lapwood's "Midnight Sessions at the Royal Albert Hall" album is number 1 out of 5. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cornfield Chase (From "Interstellar") - Midnight Sessions at the Royal Albert Hall is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cornfield Chase (From "Interstellar") - Midnight Sessions at the Royal Albert Hall by Anna Lapwood to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
This Is My Boy | Abel Korzeniowski | A Minor | 1 | 8A | 126 BPM | ||
A Little Chaos | Peter Gregson | E♭ Major | 2 | 5B | 138 BPM | ||
The Four Seasons Recomposed: II. Spring I | David le Page, Orchestra of the Swan, Philip Sheppard | D♭ Minor | 2 | 12A | 100 BPM | ||
Resting (Short) | Arash Safaian, Sindy Mohamed, Bernhard Wünsch, The Berlin Orchestra | B♭ Minor | 1 | 3A | 73 BPM | ||
Le temps d'aimer | Amine Bouhafa | G Minor | 2 | 6A | 84 BPM | ||
With Love Comes Loss (Arr. for Piano Solo) | John Powell, Batu Sener | C Minor | 1 | 5A | 119 BPM | ||
Le Cycle d'Héraclès, Partie 4: Mégara | Ethiliel Gautier | A Minor | 1 | 8A | 164 BPM | ||
Sacred | Kitt Wakeley, Starr Parodi, Isolde Fair, Wouter Kellerman, London Symphony Orchestra | F Major | 5 | 7B | 80 BPM | ||
Mothers Voice | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 68 BPM |
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