Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli's '24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro!' had a release date set for May 31, 2024. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli's "Mario Castelnuovo-Tedesco: 24 Caprichos de Goya, Op. 195, 3 Preludi al Circeo, Op. 194" album is number 9 out of 27. On top of that, Italy appears to be the country where this track was created. 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro! by Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli to be Lento (slowly) because the track has a tempo of 52 BPM, a half-time of 26BPM, and a double-time of 104 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Histoire du tango pour flûte et guitare: Bordel 1900 | Cécile Daroux, Pablo Marquez | A Major | 1 | 11B | 73 BPM | ||
Give Us a Minute | Bret Williams | A Minor | 1 | 8A | 69 BPM | ||
25 Etudes, Op. 38: No. 2 in C Major: Scherzando | Napoléon Coste, Jeffrey McFadden | E Minor | 1 | 9A | 90 BPM | ||
Carcassi Op.60 N.1 Allegro | Matteo Carcassi, Lucio Matarazzo | G Major | 6 | 9B | 107 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | ||
Children's Corner: V. The Little Shepherd (Arr. for Guitar by Johan Smith) | Claude Debussy, Johan Smith | E Major | 0 | 12B | 129 BPM | ||
Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM | ||
Theme of Katja (From "Spy Sorge") | Shin’ichirō Ikebe, Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM |