- BPM
- 66
- Key
- A♭ Minor
- Camelot
- 1A
Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) - Claude Debussy, Natalie Dessay, Philippe Cassard Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 59%
- Speechiness
- 6%
- Valence
- 6%
- Popularity
- 3%
- Loudness
- -24.545 dB
Summary
"Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version)" by Claude Debussy, Natalie Dessay, Philippe Cassard was released on February 6, 2012. The duration of Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Debussy - Clair de lune by Claude Debussy, Natalie Dessay. Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) BPM
The tempo marking of Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) by Claude Debussy, Natalie Dessay, Philippe Cassard is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Debussy: 4 Chansons de jeunesse: II. Clair de lune, L. 45 (Vasnier Version) Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | |
 | L'autre Valse D'amélie | Frédéric Schubert | D♭ Major | 3 | 3B | 168 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
| 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | |
 | The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9791414737701416
End: 0.9826831817626953