Erik Satie, Alexandre Tharaud, Eric Le Sage's 'Trois Morceaux en forme de poire: En plus' came out on January 20, 2009. The duration of Trois Morceaux en forme de poire: En plus is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Trois Morceaux en forme de poire: En plus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Trois Morceaux en forme de poire: En plus is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Trois Morceaux en forme de poire: En plus by Erik Satie, Alexandre Tharaud, Eric Le Sage having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Klavierstücke, D. 946: No. 2 in E-Flat Major. Allegretto | Franz Schubert, Alfred Brendel | E♭ Minor | 1 | 2A | 152 BPM | ||
Three Pieces from "Cinderella", Op. 95: II. Gavotte | Sergei Prokofiev, Daniil Trifonov | D Minor | 1 | 7A | 125 BPM | ||
Preludes, Op. 28: No. 3, Vivace | Frédéric Chopin, Alexandre Tharaud | G Major | 1 | 9B | 80 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
16 Waltzes, Op. 39: No. 6 In C Sharp Major | Johannes Brahms, Idil Biret | D♭ Major | 1 | 3B | 108 BPM | ||
Bach, J.S.: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie | A♭ Major | 0 | 4B | 107 BPM | ||
El Testament D'amèlia | Miguel Llobet Solés, Andrés Madariaga | D Minor | 0 | 7A | 80 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Préludes / Book 1, L.117: 9. La sérénade interrompue | Claude Debussy, Pierre-Laurent Aimard | B♭ Minor | 0 | 3A | 176 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM |
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