"Bass Trombone Concerto: IV. Allegro con brio" by Kenneth Fuchs, James Buckle, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 22 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Bass Trombone Concerto: IV. Allegro con brio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bass Trombone Concerto: IV. Allegro con brio by Kenneth Fuchs, James Buckle, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Bernard Haitink, Royal Concertgebouw Orchestra | A♭ Minor | 0 | 1A | 93 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIII (***): Romanza | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Duo concertant, K54: V. Dithyrambe | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Crisis Modes for Percussion and Strings: II. Denial | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Pacific Visions | Kenneth Fuchs, Sinfonia Of London, John Wilson | C Major | 0 | 8B | 155 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
Clarinet Sonata in E-Flat, Op. 120 No. 2_ II. Allegro appassionato | Johannes Brahms, Joan Enric Lluna, Josu De Solaun | A Major | 1 | 11B | 124 BPM |