"Albéniz: España, Op. 165: II. Tango (Andantino)" by Isaac Albéniz, Xuefei Yang was released on May 15, 2013. The duration of Albéniz: España, Op. 165: II. Tango (Andantino) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Albéniz: España, Op. 165: II. Tango (Andantino)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sojourn - The Very Best of Xuefei Yang". In this album, this song's track order is #12. In terms of popularity, Albéniz: España, Op. 165: II. Tango (Andantino) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Albéniz: España, Op. 165: II. Tango (Andantino) by Isaac Albéniz, Xuefei Yang having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite espagnole, Op. 47: IV. Cádiz | Isaac Albéniz, Thibault Cauvin | A Major | 2 | 11B | 83 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Tórre Bermeja (Serenata) | Isaac Albéniz, Pablo Sainz Villegas | D Major | 2 | 10B | 141 BPM | ||
Iberia "Suite pour orchestre": No. 5, El Albaicin | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | B Minor | 1 | 10A | 72 BPM | ||
Suite del recuerdo: Evocacion | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 114 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Romance "Jeux interdits" | Narciso Yepes, Pepe Romero | E Minor | 1 | 9A | 121 BPM | ||
Romanza (Spanish Romance) | Anonimo Anonimo, Andrés Madariaga | E Minor | 1 | 9A | 113 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM |
Section: 0.6350588798522949
End: 0.6397683620452881