"Messa da Requiem: 2. Tuba mirum" by Giuseppe Verdi, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor was released on January 1, 2008. The duration of Messa da Requiem: 2. Tuba mirum is about 3 minutes long, at 3:17. Based on our data, "Messa da Requiem: 2. Tuba mirum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #3 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: 2. Tuba mirum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: 2. Tuba mirum by Giuseppe Verdi, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: 2. Tuba mirum being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 75 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
La Traviata / Act 1: E strano!...Ah, fors'è lui...Sempre libera | Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | F Minor | 1 | 4A | 78 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Funiculì, funiculà | Luigi Denza, Luciano Pavarotti, Anton Guadagno, Orchestra del Teatro Comunale di Bologna | F Major | 3 | 7B | 126 BPM | ||
La fille du régiment / Act 1: "Pour mon âme quel destin" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 66 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
Il Trovatore, IGV 31, Act II: "Non son tuo figlio?" (Manrico, Azucena) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Kurt Baum, Giulietta Simionato | F♯ Major | 3 | 2B | 102 BPM |
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