"Improvisations 1-10, FP 63: 7. Improvisation in C major" by Francis Poulenc, Pascal Rogé was released on January 1, 1987. The duration of Improvisations 1-10, FP 63: 7. Improvisation in C major is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Improvisations 1-10, FP 63: 7. Improvisation in C major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Poulenc: Piano Works". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Improvisations 1-10, FP 63: 7. Improvisation in C major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Improvisations 1-10, FP 63: 7. Improvisation in C major by Francis Poulenc, Pascal Rogé having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
D'un vieux jardin | Lili Boulanger, Emile Naoumoff | D Major | 0 | 10B | 83 BPM | ||
Sonate pour hautbois et piano: Déploration | Francis Poulenc, Jean-Louis Capezzali, Jean-Pierre Armengaud | B♭ Minor | 0 | 3A | 108 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Estampes: III. Jardins sous la pluie | Claude Debussy, Alain Planès | E Major | 1 | 12B | 94 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM |
Section: 0.7792890071868896
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