Nachtanz
Aaron David Miller, Ken Cowan, Bradley Welch
Dynamic Duo
7:45 2016
BPM
129
Key
D Major
Camelot
10B

Embed

Share Link

Nachtanz - Aaron David Miller, Ken Cowan, Bradley Welch Information

Acousticness
57%
Danceability
16%
Energy
4%
Instrumentalness
18%
Liveness
19%
Loudness
53%
Speechiness
4%
Valence
4%
Popularity
Loudness
-28.482 dB

Summary

"Nachtanz" by Aaron David Miller, Ken Cowan, Bradley Welch was released on 2016. Since Nachtanz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Dynamic Duo by Ken Cowan, Bradley Welch. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Nachtanz's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nachtanz BPM

The tempo marking of Nachtanz by Aaron David Miller, Ken Cowan, Bradley Welch is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Nachtanz Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Veni Sancte Spiritus by Monks And Choir Boys Of Downside AbbeyVeni Sancte SpiritusMonks And Choir Boys Of Downside AbbeyA Minor18A174 BPM
Instrumental Postlude, Splendor of Creation by Lucien Deiss, CSSpInstrumental Postlude, Splendor of CreationLucien Deiss, CSSpA Minor18A109 BPM
Ave Maria, CG 89a (Arr. for Cello, Organ & Harp) by Steven Houser, Stephen Hartman, Stefan EngelsAve Maria, CG 89a (Arr. for Cello, Organ & Harp)Steven Houser, Stephen Hartman, Stefan EngelsF Major17B119 BPM
Diligamte by Coro De La Abadía De San Florián Y La Iglesia De Santa RitaDiligamteCoro De La Abadía De San Florián Y La Iglesia De Santa RitaC Major18B69 BPM
Tempo Dell'Attesa. Antifona Alla Comunione: Ecce Virgo by Canonici Regolari Si Sant'AntimoTempo Dell'Attesa. Antifona Alla Comunione: Ecce VirgoCanonici Regolari Si Sant'AntimoE♭ Minor12A77 BPM
Ave Regina Caelorum by Lucien Deiss, CSSpAve Regina CaelorumLucien Deiss, CSSpE Major012B73 BPM
Attende Domine by Pro Cantione AntiquaAttende DominePro Cantione AntiquaE♭ Major05B123 BPM
O Lord, Thou Hast Searched Me Out, and Known Me (Psalm 139) by Highmore Skeats, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. PattersonO Lord, Thou Hast Searched Me Out, and Known Me (Psalm 139)Highmore Skeats, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. PattersonE♭ Major25B84 BPM
Missa Secunda, Messe für vierstimmigen Chor: Kyrie by Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang HelbichMissa Secunda, Messe für vierstimmigen Chor: KyrieHans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang HelbichA♭ Major24B65 BPM
Vidi Aquam by Cantores 'Regina Caeli'Vidi AquamCantores 'Regina Caeli'B Minor110A74 BPM
ISRC
USR9N1627506
Label
L-M Records/RCA Records

Section: 0.5425229072570801

End: 0.5467088222503662