"Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski was released on February 23, 2024. The duration of Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 16 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Suite for String Orchestra, JW6 No. 2: IV. Presto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 86 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
7 Lyric Pieces, Op. 71: No. 4, Peace of the Woods | Edvard Grieg, Daniel Gortler | D♭ Minor | 0 | 12A | 69 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
6 Songs, Op. 38: No. 3. Daisies (version for piano) | Sergei Rachmaninoff, Julia Severus | D Major | 2 | 10B | 121 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM |
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