"Missa Domine a lingua dolosa: Vb. Agnus Dei II" by Annibale Padovano, Cinquecento was released on May 3, 2024. The duration of Missa Domine a lingua dolosa: Vb. Agnus Dei II is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Missa Domine a lingua dolosa: Vb. Agnus Dei II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Padovano: Missa A la dolc' ombra & Missa Domine a lingua dolosa". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United Kingdom. Missa Domine a lingua dolosa: Vb. Agnus Dei II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Domine a lingua dolosa: Vb. Agnus Dei II by Annibale Padovano, Cinquecento having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM | ||
Messa della Madonna: Kyrye della Madonna II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 2 | 7B | 138 BPM | ||
O gloriosa Domina (O gloriose Domine) | Andrea Gabrieli, I Cantori di San Marco, Marco Gemmani | A Major | 2 | 11B | 134 BPM | ||
Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Psalm 128: Shir hamma'alot, Ashrei kol yere Adonai | Salomone Rossi, Profeti Della Quinta, Elam Rotem | A♭ Minor | 1 | 1A | 132 BPM |
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