"Concerto for String Orchestra: II. Andante" by Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij was released on November 4, 2014. With this song being about 5 minutes long, at 4:41, "Concerto for String Orchestra: II. Andante" by Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Bacewicz: Symphony for String Orchestra, Concerto for String Orchestra & Piano Quintet No. 1 by Grażyna Bacewicz, Ewa Kupiec, Capella Bydgostiensis, Mariusz Smolij. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto for String Orchestra: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for String Orchestra: II. Andante by Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
The Tempest, Op. 18: II. Allegro moderato | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | E Minor | 2 | 9A | 92 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
String Quartet No. 3: III. Vivo | Grazyna Bacewicz, Silesian String Quartet | C Major | 2 | 8B | 112 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Trois petites pièces: Gigue | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Major | 2 | 7B | 105 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM |
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