On September 4, 1992, the song "8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 2 in E Minor (Allegretto grazioso)" was released by Antonín Dvořák, Katia Labèque, Marielle Labèque. 8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 2 in E Minor (Allegretto grazioso) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 10 out of 16 in Dvorák: Slavonic Dances by Antonín Dvořák, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 2 in E Minor (Allegretto grazioso) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 2 in E Minor (Allegretto grazioso) by Antonín Dvořák, Katia Labèque, Marielle Labèque is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM |
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