"Laetabundus exsultet fidelis chorus (Sequence for Christmas, Third Mass)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. The duration of Laetabundus exsultet fidelis chorus (Sequence for Christmas, Third Mass) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Laetabundus exsultet fidelis chorus (Sequence for Christmas, Third Mass)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 2 out of 63. Laetabundus exsultet fidelis chorus (Sequence for Christmas, Third Mass) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laetabundus exsultet fidelis chorus (Sequence for Christmas, Third Mass) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Shen Khar Venakhi | KITKA Women's Vocal Ensemble | D Major | 1 | 10B | 85 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
To Thee We Sing | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Ad Completorium: Canticum Simeonis "Nunc dimittis" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 0 | 7B | 88 BPM | ||
Ordinarium Missae: Kyrie | Traditional, Slovenski Madrigalisti | D Major | 0 | 10B | 84 BPM |
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