"The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes" by Judith Weir, Stephen Jeffes, Jonathan Lemalu, Nicolas Simeha, Jonathan Saunders, Paul Haas-Curievici, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #14 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes by Judith Weir, Stephen Jeffes, Jonathan Lemalu, Nicolas Simeha, Jonathan Saunders, Paul Haas-Curievici, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
Aesop's Fables: No. 1. The Hare and the Tortoise | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | G Major | 1 | 9B | 70 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Variasjoner over Med Jesus vil eg fara: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
The Passing of the Year: No. 3. Answer July | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 102 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Crucero Day's | Crucero Vibes | B♭ Major | 0 | 6B | 133 BPM | ||
The Song Sung True: II. Song | Judith Weir, BBC Singers, David Hill | B Minor | 1 | 10A | 91 BPM | ||
Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM |