Hector Berlioz, Frédéric Caton, Spirito, Chœurs et solistes de Lyon-Bernard Tétu, Orchestre National De Lyon, Leonard Slatkin's 'Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7e, Jurez donc par l'auguste symbole' came out on April 12, 2019. With this song being about 5 minutes long, at 4:36, "Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7e, Jurez donc par l'auguste symbole" by Hector Berlioz, Frédéric Caton, Spirito, Chœurs et solistes de Lyon-Bernard Tétu, Orchestre National De Lyon, Leonard Slatkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 20 in Berlioz: Roméo et Juliette, Op. 17, H 79 by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7e, Jurez donc par l'auguste symbole's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7e, Jurez donc par l'auguste symbole by Hector Berlioz, Frédéric Caton, Spirito, Chœurs et solistes de Lyon-Bernard Tétu, Orchestre National De Lyon, Leonard Slatkin is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Les Troyens / Act 1: Un traître, un espion! | Hector Berlioz, René Schirrer, Gregory Cross, Deborah Voigt, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | F Minor | 1 | 4A | 73 BPM | ||
Les Troyens, Op. 29, H 133, Act II: No. 12c. "O lumière de Troie! ... Ah! Fuis, fils de Vénus!" | Hector Berlioz, London Symphony Orchestra, Orlin Anastassov, Sir Colin Davis, Ben Heppner | B Major | 0 | 1B | 86 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM |
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