"Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo)" by Giacomo Puccini, James Conlon, José Carreras, Orchestre National De France was released on February 1, 1988. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Puccini : La bohème [Highlights] (Apex)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo) by Giacomo Puccini, James Conlon, José Carreras, Orchestre National De France having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Califano / Palmer : Vieni sul mar | Aniello Califano, José Carreras, Marcello Viotti, London Studio Orchestra | E♭ Major | 2 | 5B | 81 BPM | ||
La Boheme - Gesamtaufnahme in deutscher Sprache, 1. Bild: O du liebliches Mädchen | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | F♯ Minor | 4 | 11A | 86 BPM | ||
Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Carmen / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 82 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | C Major | 1 | 8B | 83 BPM | ||
La Bohème / Act 1: "Si può" - "Chi è là?" | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
La Bohème, Act I: Si, mi chiamano Mimì | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | D Major | 1 | 10B | 89 BPM |
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