Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra's 'Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King' came out on October 13, 2000. The duration of Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg : Peer Gynt Suites 1, 2 & Symphonic Dances" album is number 4 out of 13. On top of that, France appears to be the country where this track was created. Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
Palladio: I. Allegretto | Karl Jenkins, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Menahem Pressler | D♭ Major | 0 | 3B | 109 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Piano by Leopold Godowsky) | Johannes Brahms, Carmen Stefanescu | F♯ Major | 0 | 2B | 79 BPM | ||
Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM | ||
Piano Concerto in A minor, Op. 16: 1. Allegro molto moderato | Edvard Grieg, Jean-Yves Thibaudet, Rotterdam Philharmonic Orchestra, Valery Gergiev | F Major | 2 | 7B | 123 BPM | ||
The Four Seasons Recomposed, Spring (After A. Vivaldi): I. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | D♭ Minor | 3 | 12A | 102 BPM | ||
Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto | Gustav Mahler, Chicago Symphony Orchestra, Sir Georg Solti | G Minor | 2 | 6A | 95 BPM | ||
Il Barbiere di Siviglia: Overture | Gioachino Rossini, London Classical Players, Sir Roger Norrington | E Major | 1 | 12B | 96 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM |
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