"Denys le Tyran, Scene 4: Je n'y tiens plus!" by André-Ernest-Modeste Grétry, Orchestra Internazionale D'Italia, Coro Ars Pulcherrima Atrium, Francesco Vizioli, Bruno De Simone was released on January 1, 2023. With Denys le Tyran, Scene 4: Je n'y tiens plus! being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André-Ernest-Modeste Grétry, Various Artists's "Grétry: Denys le Tyran" album is number 9 out of 19. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Denys le Tyran, Scene 4: Je n'y tiens plus! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Denys le Tyran, Scene 4: Je n'y tiens plus! by André-Ernest-Modeste Grétry, Orchestra Internazionale D'Italia, Coro Ars Pulcherrima Atrium, Francesco Vizioli, Bruno De Simone to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | ||
Overture in D Major, Op. 8, No. 4: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 96 BPM | ||
Die Schöpfung, Hob. XXI:2, Zweiter Teil: XII. Chor "Vollendet ist das große Werk" - 27. Terzett "Zu dir, o Herr, blickt Alles auf" - 28. Chor "Vollendet ist das große Werk" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer, Maximilian Schmitt, Rudolf Rosen | B♭ Major | 2 | 6B | 109 BPM | ||
Pulcinella - Ballet avec chante: Mentre l'erbetta pasce l'agnella - 2001 Digital Remaster | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Yvonne Kenny, Robert Tear, Robert Lloyd | B♭ Major | 0 | 6B | 121 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Nymphs of the Springs: Nature First Played Well Her Part | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Les Indes galantes, RCT 44, Prologue: Ouverture | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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