"Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 2, Allegro comodo" by Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering was released on January 1, 1993. With Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 2, Allegro comodo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean François Lesueur, Christoph Spering, Chorus Musicus Das Neue Orchester's "Le Sueur: Ceremonial Music" album is number 2 out of 16. On top of that, France appears to be the country where this track was created. Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 2, Allegro comodo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 2, Allegro comodo by Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Castor et Pollux, RCT 32: Ouverture | Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
St. Matthew Passion, BWV 244: No. 3, Chorale, 'Herzliebster Jesu' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | B Minor | 1 | 10A | 81 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Requiem Mass: I. Introitus: Requiem aeternam | José Maurício Nunes Garcia, Paul Freeman, Helsinki Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Missa omnium sanctorum, ZWV 21: Sanctus. Benedictus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Prague Baroque Soloists | B Major | 3 | 1B | 122 BPM |
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