On January 1, 1995, the song "Lieder und Spielstücke: Rondo" was released by Carl Orff, Karl Peinkofer Percussion Ensemble. The duration of Lieder und Spielstücke: Rondo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Lieder und Spielstücke: Rondo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Orff-Schulwerk, Vol. 1: Musica Poetica". In this album, this song's track order is #17. Based on our statistics, Lieder und Spielstücke: Rondo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lieder und Spielstücke: Rondo by Carl Orff, Karl Peinkofer Percussion Ensemble having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
Pavanne | Peter Cooper, Marcia Labella | F♯ Minor | 1 | 11A | 69 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | A Minor | 4 | 8A | 124 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM |
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