John Adson, The Prague Brass Soloists made "Courtly Masquing Ayres: No. 9" available on January 1, 1990. With Courtly Masquing Ayres: No. 9 being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Purcell, Simpson, Adson, Holborne, Brade, Clarke: Old English Brass Music". In this album, this song's track order is #16. Courtly Masquing Ayres: No. 9 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Courtly Masquing Ayres: No. 9 by John Adson, The Prague Brass Soloists having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
BRANLE VII | Hortus Musicus | D Minor | 3 | 7A | 80 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: II. Aria | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Sonata No. 3 in G Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 141 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM | ||
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) | Palisander, Toby Carr | G Minor | 1 | 6A | 73 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM |
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